1998 – 2013
In the Kinésphère series, the body is the central axis and it pushes to the edge an imprint of a volume corresponding (once moulded) to the inversion of his movement. In each Kinésphère piece, this movement is decided beforehand and the artist does not go back on the programme he has set himself. The inscription of these movements in the material is a product of writing or drawing the space at point-blank range as they say with gunshots. The volume is a trace, the body is a kind of intaglio.